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            Issue number 2: the postcard revolution͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;
        
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      <p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'Segoe UI', Candara, 'Bitstream Vera Sans', 'DejaVu Sans', 'Trebuchet MS', Verdana, sans-serif;letter-spacing:-.01em;text-align:center;" class=""><em><strong>Welcome to issue no. 2 of “hey how’s it goin’?”<br>Podcast news, music related  recommendations, and the scribblings of a mixed up music nerd.</strong></em></p>
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      <p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'Segoe UI', Candara, 'Bitstream Vera Sans', 'DejaVu Sans', 'Trebuchet MS', Verdana, sans-serif;letter-spacing:-.01em;text-align:center;" class=""><a href="https://tellyouwhatpodcast.com" rel="nofollow" style="color:#0e8ac4 !important;"><strong>Latest episode</strong></a>:  Willi Carlisle is a folksinger, poet, squaredance caller, puppeteer, and one of my favorite podcast guests ever. Willi is a remarkable character, a powerful combination of incredible talent and intense passion for his craft. I think many will find this conversation as compelling, fun, and rewarding as I did. </p><p class="" style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'Segoe UI', Candara, 'Bitstream Vera Sans', 'DejaVu Sans', 'Trebuchet MS', Verdana, sans-serif;letter-spacing:-.01em;">  I spent last week in the winter vacation mecca Kansas City, Missouri, at the Folk Alliance International Conference, and had a grand time. I was able to interview the talented and lively trio Damn Tall Buildings, and discovered a few more artists I hope to chat with in the coming months. Stay tuned!</p>
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<table role="presentation" width="100%" cellpadding="0" cellspacing="0" border="0" bgcolor="#FFFFFF" class="text-section section-content">
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    <td valign="top" class="section-text-area section-content-cell padding-mobile-both" style="padding-top:11px;padding-right:44px;padding-bottom:11px;padding-left:44px;color:#313131;background-color:#fff;">
      <p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'Segoe UI', Candara, 'Bitstream Vera Sans', 'DejaVu Sans', 'Trebuchet MS', Verdana, sans-serif;letter-spacing:-.01em;text-align:center;" class=""> Do you think you don’t like country music? Or that you don’t like contemporary country music, (pickup trucks, beer, and swimming in the river)?  Maybe you long for the days of Hank Williams, Merle Haggard, or maybe (somewhat) more recently Steve Earle, Dwight Yoakum? Well, I can assure you that there are young singer songwriters out there these days who are up to the task, whose songs don’t sound like they started with a title and that was the extent of the creative effort (I’m making an obvious exception here for “<em>I Want to Kiss Her (but, she won’t let me)</em>”, clearly a classic).   Check out Zach Bryan for one. He’s only been putting out music for a few years but has been quite prolific; he’s already built a large and devoted following. A gifted young songwriter who has a real knack for turning personal truths into relatable and catchy tunes.  Bonus points for recently releasing a live record called “<em>All My Homies Hate Ticketmaster</em>”. Here's a great song of his I have had on rotation since last year <em><a href="https://youtu.be/lA8F9sIhGdg" rel="nofollow" style="color:#0e8ac4 !important;"><strong>Something in the Orange</strong></a></em><a href="https://youtu.be/lA8F9sIhGdg" rel="nofollow" style="color:#0e8ac4 !important;"><strong>.</strong></a></p><p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Segoe UI', Candara, 'Bitstream Vera Sans', 'DejaVu Sans', 'Trebuchet MS', Verdana, sans-serif;letter-spacing:-.01em;text-align:center;" class=""><strong>-</strong></p><p class="" style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Segoe UI', Candara, 'Bitstream Vera Sans', 'DejaVu Sans', 'Trebuchet MS', Verdana, sans-serif;letter-spacing:-.01em;">    My late winter plans call for a rewatch of the amazing documentary <em>“Summer of Soul”</em>, directed by famed DJ and bandleader Questlove. The film revolves around footage from the 1969 Harlem Cultural Festival, a six-week series of riveting performances that featured soul, gospel and R&amp;B legends such as Stevie Wonder, Glady Knight and the Pips, Nina Simone, The Fifth Dimension, The Staple Singers, many more. The film would be a must watch just for this amazing footage, but it also offers, through interviews done at the time and new retrospective discussions, a clear-eyed look at black culture during that critical period. We hear Rev. Jesse Jackson speak from the stage in 1969 about the recently assassinated Dr. Martin Luther King Jr., as well as his current reflections on that summer’s events. I grew up down the highway from this festival, why had I never heard of it until this film? One reason would be that Woodstock happened the same summer and took the oxygen, but Questlove insists that this footage’s virtual disappearance for 50 years is proof of revisionist history of the black experience.  <em>Summer of Soul</em> is available on various streaming services.</p><p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Segoe UI', Candara, 'Bitstream Vera Sans', 'DejaVu Sans', 'Trebuchet MS', Verdana, sans-serif;letter-spacing:-.01em;text-align:center;" class=""><strong>-</strong></p><p class="" style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Segoe UI', Candara, 'Bitstream Vera Sans', 'DejaVu Sans', 'Trebuchet MS', Verdana, sans-serif;letter-spacing:-.01em;">    Bob Dylan has a big new 350-page cool looking book out-have you read it yet? Me neither. But I was reminded of a previous book Dylan wrote, 2004’s “<em>Chronicles Volume One</em>”, ostensibly the first installment of his memoirs.  I really enjoyed this book, and, here’s a confession: I have never really been a big Dylan person.  Not sure exactly why, I clearly respect his talent, but the sheer volume of material he has produced (39 studio albums!) always seemed a little daunting to me. Anyway, <em>Chronicles</em> was an excellent and easy read, turns out one of America’s greatest songwriters knows how to write compelling prose.  Bob takes us through his early days, arriving in NYC with his guitar and no friends, finding his way around Greenwich Village, meeting Dave Van Ronk and others and getting himself heard.  Dylan offers a great window into that magical time and place in modern musical history. The book meanders, as one might expect, but in ways that somehow make sense, and the strength of the prose carries the day in any event. I anxiously await volume two-how ‘bout it, Bob?  In the meantime, give volume one a read if you have not yet-the <a href="https://www.amazon.com/Chronicles-One-Bob-Dylan/dp/0743244583" rel="nofollow" style="color:#0e8ac4 !important;">paperback version</a> is available used for about 2 bucks, this month’s newsletter-bargain-buy. And stay tuned for issue number 367 of this newsletter in 15 years when I get around to reading and reviewing Dylan’s recently released book.</p><p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Segoe UI', Candara, 'Bitstream Vera Sans', 'DejaVu Sans', 'Trebuchet MS', Verdana, sans-serif;letter-spacing:-.01em;text-align:center;" class=""><strong>-</strong></p><p class="" style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'Segoe UI', Candara, 'Bitstream Vera Sans', 'DejaVu Sans', 'Trebuchet MS', Verdana, sans-serif;letter-spacing:-.01em;">    Anyway, here’s Debbie Harry<a href="https://youtu.be/e4VFgHJb77k" rel="nofollow" style="color:#0e8ac4 !important;"> singing and dancing</a> with some Muppets in 1981.</p>
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      <p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'Segoe UI', Candara, 'Bitstream Vera Sans', 'DejaVu Sans', 'Trebuchet MS', Verdana, sans-serif;letter-spacing:-.01em;text-align:center;" class="">When was the last time you sent a postcard, like, through the mail?&nbsp; Something you had written to a friend, with a personalized message-an observation while you were on an adventure, that kind of thing. I will now explain why you should consider joining The Postcard Revolution™.</p><p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Segoe UI', Candara, 'Bitstream Vera Sans', 'DejaVu Sans', 'Trebuchet MS', Verdana, sans-serif;letter-spacing:-.01em;text-align:center;" class="">&nbsp;&nbsp;&nbsp;&nbsp; I often ask songwriters about the actual nitty gritty process of writing-are they holding pencil in hand, the tyrannical blank page staring back at them every morning? Do they sit noodling with guitar? Do they wait for inspiration to strike, and grab their phone for a voice memo? The answers of course vary considerably, but many revolve around somehow capturing the first idea, the kernel of what might eventually lead to a song. And many have described how difficult it was during quarantine to come up with those new ideas; eventually realizing what they were missing: &nbsp;they needed to be out in the world, observing and interacting. An overheard conversation, a weird roadsign, a brief chat with an interesting stranger, a beautiful vista, the things we see, hear, smell, these are the raw material of creativity.  It follows then, that improving our tendencies to observe, to interact, to look up from our phones and pay attention to what is happening around us fosters and feeds our creative selves. And we don’t have to be songwriters to benefit from creative thinking-this is probably a topic for another screed&nbsp; but take my word for it for now that cultivating our curious and creative tendencies just makes us better people:  happier, more engaged; both interested and interesting.</p><p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Segoe UI', Candara, 'Bitstream Vera Sans', 'DejaVu Sans', 'Trebuchet MS', Verdana, sans-serif;letter-spacing:-.01em;text-align:center;" class="">&nbsp;So why postcards? One of my first podcast guests, the highly talented musician and songwriter from Austin, Carson McHone, told me that when she is on the road, instead of writing in her daily journal as she and many creative types have been trained to do, she started the practice of writing postcards every day to friends and relations.  She realized that the postcards required her to be more entertaining, and she was forced to be more observant to pull this off. Her previous journal entries might all read some version of, “stayed in cheap motel, driving seven hours in the rain, I’m tired and looking forward to the next show”. But her postcards demanded brief highlights of her travels-she described a beautiful field of flowers she passed by, or an interesting person she met at a gas station. In the process, she was forced to pay more attention to the world, and she compiled more creative ideas. </p><p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Segoe UI', Candara, 'Bitstream Vera Sans', 'DejaVu Sans', 'Trebuchet MS', Verdana, sans-serif;letter-spacing:-.01em;text-align:center;" class="">&nbsp; So I invite you to join the postcard revolution. You don’t even have to be away from home to start! We send postcards from home that we have picked up in our travels over the years- thinking that we are confusing people with a card from a trip through Utah mailed from Illinois 3 years later adds to our fun. Musicians who come through our house, and any other random stragglers who find their way here, are offered postcards from our collection; we pre-stamp and address one with our home address and encourage them to send us one from anywhere. I know that some reading this still have in their possession said pre-addressed card-you can send it to us anytime, no questions asked, but check the address-we have moved!&nbsp; I can say from personal experience that the habit of writing the cards while on traveling adventures does encourage me to be more observant, to take in novel surroundings with a more discerning eye, and to be more open to and curious about this grand world in which we walk past each other every day.&nbsp; I look forward to hearing from you all soon! Don’t forget to write!</p><p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Segoe UI', Candara, 'Bitstream Vera Sans', 'DejaVu Sans', 'Trebuchet MS', Verdana, sans-serif;letter-spacing:-.01em;text-align:center;" class=""><strong>-</strong></p><p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Segoe UI', Candara, 'Bitstream Vera Sans', 'DejaVu Sans', 'Trebuchet MS', Verdana, sans-serif;letter-spacing:-.01em;text-align:center;" class="">&nbsp;&nbsp; Chicago lost some light recently, with the passing of beloved WXRT DJ Lin Brehmer after a battle with cancer. It is hard to put into words for those outside the area what Lin meant to us all here; he was so much more than just the greatest DJ on one of the best stations in the country.</p><p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Segoe UI', Candara, 'Bitstream Vera Sans', 'DejaVu Sans', 'Trebuchet MS', Verdana, sans-serif;letter-spacing:-.01em;text-align:center;" class="">&nbsp;&nbsp;&nbsp; Lin said he was “your best friend in the whole world”, and you believed him. On the air he would say, “Here comes the greatest song ever written” and he was correct, every time. He said, “I’m Lin Brehmer, I’m everywhere”, and you would indeed see him at all the shows, all the Cub games, all the restaurants, the festivals, sharing merriment with everyone, even though he had to be on the air at 5:00 the next morning. He was a wise, wise philosopher. &nbsp;In a segment called “Lin’s Bin”, he would answer questions posed by listeners, using them as a launching pad for hilarious and beautifully touching essays on the meaning of life. I was honored when he once chose a question I submitted (“Why don’t the rock and roll guys ever wear shorts, aren’t they hot?”). When I was lucky enough to chat with Lin one day, he told me “oh, that was one of my favorite questions!”&nbsp; And I believed him; why wouldn’t I, he was my best friend in the whole world.</p><p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Segoe UI', Candara, 'Bitstream Vera Sans', 'DejaVu Sans', 'Trebuchet MS', Verdana, sans-serif;letter-spacing:-.01em;text-align:center;" class="">&nbsp; Lin was an eternal optimist; “take nothing for granted” he would say. Above all, Lin believed in and preached the power of music, the joy of music. “Not having a great day? Lean your forehead against the speaker and I’ll take care of you.” &nbsp;All the little music related projects I spend time on take inspiration from Lin’s gospels.&nbsp; “It’s fucking great to be alive”.&nbsp; Right as always Lin, and music is a celebration.&nbsp;&nbsp; </p><p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'Segoe UI', Candara, 'Bitstream Vera Sans', 'DejaVu Sans', 'Trebuchet MS', Verdana, sans-serif;letter-spacing:-.01em;text-align:center;" class="">&nbsp; Lin’s Bin: <em><a href="https://www.audacy.com/wxrt/blogs/lin-brehmer/what-really-matters" rel="nofollow" style="color:#0e8ac4 !important;">What Really Matters?</a></em></p>
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      <p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'Segoe UI', Candara, 'Bitstream Vera Sans', 'DejaVu Sans', 'Trebuchet MS', Verdana, sans-serif;letter-spacing:-.01em;text-align:center;" class="">So that’s it from <em>Tell You What!</em> hq for this edition of <em>hey how’s it goin’? </em> I encourage you to forward this along to anyone who might find it interesting. Was this forwarded to you? You can subscribe <a href="https://www.tellyouwhatpodcast.com/signup" rel="nofollow" style="color:#0e8ac4 !important;">here</a>.  Please drop me an email (just hit “reply”) with any thoughts, ideas, questions, complaints (not really).  If you dare to include a mailing address, I will send along a fabulous <em>Tell You What!</em> sticker or two, no questions asked. Thanks for reading.</p><p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'Segoe UI', Candara, 'Bitstream Vera Sans', 'DejaVu Sans', 'Trebuchet MS', Verdana, sans-serif;letter-spacing:-.01em;text-align:center;" class="">music is the best!</p><p style="color:inherit;font-size:.9375em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'Segoe UI', Candara, 'Bitstream Vera Sans', 'DejaVu Sans', 'Trebuchet MS', Verdana, sans-serif;letter-spacing:-.01em;text-align:center;" class="">Mike</p>
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